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・ Juan Cardozo
・ Juan Carlo Calma
・ Juan Bautista de Lezana
・ Juan Bautista de Toledo
・ Juan Bautista de Zengotita Bengoa
・ Juan Bautista Diamante
・ Juan Bautista Egusquiza
・ Juan Bautista Elguézabal
・ Juan Bautista Esquivel
・ Juan Bautista Gaona
・ Juan Bautista Garcia
・ Juan Bautista Gill
・ Juan Bautista Hernández Pérez
・ Juan Bautista Lázaro de Diego
・ Juan Bautista Mariano Picornell y Gomila
Juan Bautista Martínez del Mazo
・ Juan Bautista Maíno
・ Juan Bautista Molina
・ Juan Bautista Morales
・ Juan Bautista Muñoz
・ Juan Bautista Pablo Forner
・ Juan Bautista Pastene
・ Juan Bautista Paz
・ Juan Bautista Plaza
・ Juan Bautista Pomar
・ Juan Bautista Pérez
・ Juan Bautista Quirós Segura
・ Juan Bautista Rael
・ Juan Bautista Ravanals
・ Juan Bautista Rivarola Matto


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Juan Bautista Martínez del Mazo : ウィキペディア英語版
Juan Bautista Martínez del Mazo

Juan Bautista Martínez del Mazo (c.1612 – February 10, 1667)
was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of Velázquez, whose style he imitated more closely than did any other artist.〔López Rey, José: ''Velázquez'', p. 207〕 A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work ''View of Saragossa''.
==Life==
Little is really known about Mazo’s early life. The date and place of his birth are uncertain. Apparently, he was born in Cuenca, as his parents, Hernando Martinez and Lucia Bueno del Mazo, were from that province. However, some sources consider Madrid as his native city. The date of his birth has been estimated around 1612 since it is known that his mother was born in 1596 and he married in 1633 when he probably was in his early twenties.〔López Rey, José: ''Velázquez'', p. 204〕
The whereabouts of his training remain a mystery. He must have been in Velázquez's workshop sometimes before his marriage, so it is quite possible that he had been his future father-in-law's apprentice. Mazo married the famous painter’s only surviving daughter, Francisca de Silva Velázquez y Pacheco, on August 21, 1633, at the Church of Santiago in Madrid.〔 Philip IV and the Prime Minister, the Count-Duke of Olivares, served as the couple’s sponsors. The marriage was the event that guaranteed Mazo’s future success at Court. Velázquez immediately arranged a royal appointment and on February 23, 1634, he transferred to Mazo his position of Usher of the King’s Chamber, with the permission of the King. From this it can be assumed that Mazo was then already a disciple of the famous painter, and from that date he was closely associated with his father-in-law with whom he lived and collaborated. Velázquez furthered Mazo's career with a steady hand and secured palace appointments for him and later for Mazo’s children.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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